I do love a tragic ending.
He is declaring that everything he does is working towards his own ends, including his service to Othello. This speech lets the audience in on his secret, and prepares them for the future evildoings that Iago will perpetrate in the pursuit of his goals.
One of the interesting things about the speech is that it is not addressed to the audience, but to Roderigo. We can see early in the lay that he sees Roderigo as simply a pawn to be used in his greater goal of taking down Othello.
Iago evil incarnate, he is so confident in his deceitful skills that he admits to one of the people he is lying to that he is not what he appears to be. Of course, Iago is justified in his arrogance; this warning flies right over Roderigds head, and Iago continues to fool everyone around him.
Not only oes Iago deceive everyone and work to ruin his enemies, he receives great Joy in doing so. This line is in reference to everything he accomplished that night towards his goal; all of his machinations and scheming made the hours pass quickly, and he is shocked to find it is morning.
Throughout the play, there is evidence such as this that Iago takes pleasure in the harm he causes to hose he hates. This perhaps more than anything else declares to all that Iago is without Iago evil incarnate doubt an evil man.
Shakespeare has created many villains in his long list of works, but almost all of them have a valid reason for what they do. For example, in The Merchant of Venice, Antonio mistreats Shylock, and thoroughly enjoys the harm and the twisted maneuvering he accomplishes in the process.
Another deceit that Iago carries out amazingly is the overall scheme to ruin Othello. Besides Othello, Iago also seeks to harm Cassio as part of his master scheme. One of the things that point to lagds evil nature is his seeming lack of convincing motive for his plans.
Early on, it is obvious that Iago resents Othello and Cassio for the promotion he wanted and felt he deserved; however, these reasons are tenuous at best.
The overblown reaction and desire to hurt his enemies is one of the things that make Iago such a good villain. It seems a bit overboard, and therefore it is likely that there is more to lagds hatred of Othello.
For, atred is truly the driving emotion behind lagds actions throughout the play. There is no evidence that Othello slept with Emilia, and the underlying insinuation is that this is a lie and an excuse.
Much like everything that Iago does in the play, here he clouds the water with decoys and fabrications. Yet more proof of lagds evil is the lack of regard he has for anyone else; he is corrupt and focused only on his own evil desires.
Iago sees the people around him only as pieces to use to further his own goals. He uses Roderigo, Cassio, Desdemona, Othello himself, and even his own wife Emilia to bring about the destruction of the Moor. Iago is like a spider sitting at the center of a huge web of lies and treachery; he pulls first on one string and then another, all in an effort to ruin Othello.
Even when he uses the adultery excuse as one of the reasons he hates Othello, he reveals that his feelings are not for his wife ut himself only.
If Iago truly loved his wife and thought that she was sleeping with Othello, his reaction would have differed considerably. More than likely, he would still have been angered, but Emilia would have fgured into his plans much more than she did.
From the beginning to the end, Iago never shows one ounce of care for anyone other than himself. Iago is responsible for the death of almost every main character in this play, whether directly or indirectly. His death tally includes Roderigo, Desdemona, Emilia, Othello, and ultimately himself; that is five lives ruined with four f those totally ended by one man, and all for no discernible reason.
Even though Cassio survived lagds plots, his life was still in a ruinous state by the end of the play. Through methodical planning and inexorable effort, Iago accomplished almost everything he set out to do. There was really only one flaw in all of his scheming, but one flaw is all it took for tragedy to strike.
Though Iago does not get away with his crimes that still does not lessen the tragedy in the other five lives he destroyed. Ultimately, lagds personification of evil leads the audience to understand the insidious nature of evil. Like in Othello, Evil can be present in those you least expect, it uses deceit like a veil to hide its true nature.
Also like Iago, evil is unrelenting in the pursuit of its ends, and it uses everything it can against those who oppose it. Works Cited Shakespeare, William. How to cite this page Choose cite format:Evil is Iago Shakespeare’s Othello, concludes with arguably one of the most tragic endings to a play anyone has ever written.
In this final scene, the deceptive Iago is revealed as the villain responsible for Othello’s desperate act. Although Iago’s deceptive persona is finally unveiled here, he refuses to offer any justification for his evil deeds.
nationwidesecretarial.coms Text Repository because the best things in life truly are free. Search. Aladdin (Arabic: علاء الدين , ʻAlāʼ ad-Dīn) is a street child who ends up becoming the prince of Agrabah after meeting Jasmine in the streets and being recruited by Jafar to retrieve the magical lamp from the Cave of nationwidesecretarial.com is voiced by Scott Weinger when speaking and Brad Kane when singing..
Princess Jasmine. Mirage, the Evil Incarnate, is a recurring antagonist in the Aladdin television series. She is the Queen of Evil in the Aladdin universe and can compete with Jafar and Mozenrath for the title of Aladdin's most dangerous foe. She is loosely based on the Egyptian goddess Bastet and she carries Alias: Evil Incarnate.
At first glance Iago's character seems to be pure evil. However, such a villain would distract from the impact of the play and would be trite.
Shakespeare to add depth to his villain makes him amoral, as opposed to the typical immoral villain. Mirage, the Evil Incarnate, is a recurring antagonist in the Aladdin television series.
She is the Queen of Evil in the Aladdin universe and can compete with Jafar and Mozenrath for the title of Aladdin's most dangerous foe. She is loosely based on the Egyptian goddess Bastet and she carries.